This article is part of a series on the making of the museum of Lodève.
For Lodève’s museum, we worked on many different aspects, short animation movies, cartographic video projections and 3D scans of fossils such as spoors or bones. For the latter, one topic of particular interest was the recreation of a 3D book of stratigraphic layers, such that you can turn and see the trace on the front, and the inverse trace on the back of each page.
In this article, we will explain how we have reproduced the double page for the fossil rain. The book is only meant to be educational, so we were allowed to recreate a surface with rain drop craters which were too small to be scanned with our equipment.
This article is part of a series on the making of the museum of Lodève. In the movies, there were scenes taking place in caves or at dusk. So we had to create a fire effect, with a cartoon render to suit the art direction, and that could have a torch-like movement.
We have tested many techniques in Blender or Fusion:
– mesh displacement,
– 2D texture with UV distorsions,
– particules with metaballs
– mask particules
– alpha additive particules
This exploration allowed us to find the most efficient ways of making fire according to the case, knowing that Blender was our main tool from layout to lighting, except for the compositing where Fusion was used.
When rigging, you usually want to add custom shapes to your bone controllers. It helps to simplify the selection of these bones and moreover it gives information to help the animator to understand quickly what a bone can do. In Blender, the default procedure can be really tedious so we have created a script to help handle adding and editing custom shapes to bones.
Antarctica is a documentary directed by Jérôme Bouvier and Marianne Cramer co-produced by Arte France, Paprika Films, Wild-Touch Production, Andromède Océanologie. It depicts the expedition led by Luc Jacquet to show and raise interest in the effects of climate change in the polar regions.
We produced animated sequences to illustrate the two films with cartographic images, to show natural phenomenons about the oceanic current, circumpolar current, ice melting, etc. We have also made “overlay graphics ?” to show how the fauna is adapted to the harsh climate.
In this article, we show two experimental processes using scientific data to make our cartographic animated sequences, with art direction by Eric Serre.